10/11/2023 0 Comments Brazilian samba drumsSuch motor related activity may form the basis for “feeling the groove” and the associated desire to move to music. Listening to “in sync” percussion thus strengthens audio-motor interactions by recruiting motor-related brain areas involved in rhythm processing and beat perception to a higher degree. Analysis of hemodynamic responses revealed stronger bilateral brain activity in the supplementary motor area, the left premotor area, and the left middle frontal gyrus with increasing synchrony between instruments. Results of the behavioral experiment showed increasing pleasantness and desire to move/dance with increasing synchrony between instruments. Participants listened to different excerpts of samba percussion produced by multiple instruments that either were “in sync”, with no additional asynchrony between instrumental parts other than what is usual in naturalistic recordings, or were presented “out of sync” by delaying the snare drums (by 28, 55, or 83 ms). Here we investigated the effects of performance timing in a Brazilian samba percussion ensemble on listeners’ experienced pleasantness and the desire to move/dance in a behavioral experiment, as well as on neural processing as assessed via functional magnetic resonance imaging (fMRI). Listening to samba percussion often elicits feelings of pleasure and the desire to move with the beat-an experience sometimes referred to as “feeling the groove”- as well as social connectedness. 5Department of Clinical Medicine, Center for Music in the Brain, Aarhus University, Aarhus, Denmark.4The MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Penrith, NSW, Australia.3Clinic for Cognitive Neurology, University Hospital Leipzig, Leipzig, Germany.2Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, Germany.1Cognitive and Behavioral Neuroscience Unit, D’Or Institute for Research and Education, Rio de Janeiro, Brazil.By playing certain ‘signals’ using this samba flute, you direct the band to transition to a different rhythm.Annerose Engel 1,2,3* Sebastian Hoefle 1 Marina Carneiro Monteiro 1 Jorge Moll 1† Peter E. Agogos are basically double cowbells and originate from Africa.Īpito: a powerful instrument for surdo or repinique-playing band leaders. Reco-recos are a lot like the more popular guiro and guira but often pack a little more volume.Ĭuica: a unique instrument that’s not only commonly used in samba but in styles like pop, rock and reggae.Īgogos: another essential samba instrument. Ganza shakers, triangles, chocalhos and reco-recos: in terms of their role, these instruments can best be compared to the cymbals of a drum kit. Pandeiro: the Brazilian tambourine unlike the similar-looking tamborim, pandeiros feature jingles. This instrument strongly resembles the tambu used on Aruba and Curacao. Repique de Mão: looks like a repinique, sounds more like a conga. Samba bands may include multiple tamborim players. Tamborim: small frame-drum usually 6” in diameter and used to play rhythms and variations. Which Other Instruments Are Used in a Samba Band?Ĭaixa: Brazilian snare drum typically used to play variations and solos.
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